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YOUNG GOODMAN BROWN داستان کوتاه ادبی 

موضوع: English Literature پنجشنبه ششم تیر 1387

YOUNG GOODMAN BROWN

   YOUNG Goodman Brown came forth at sunset into the street at Salem village; but put his head back, after crossing the threshold, to exchange a parting kiss with his young wife. And Faith, as the wife was aptly named, thrust her own pretty head into the street, letting the wind play with the pink ribbons of her cap while she called to Goodman Brown.

   ``Dearest heart,'' whispered she, softly and rather sadly, when her lips were close to his ear, ``prithee put off your journey until sunrise and sleep in your own bed to-night. A lone woman is troubled with such dreams and such thoughts that she's afeard of herself sometimes. Pray tarry with me this night, dear husband, of all nights in the year.''

   ``My love and my Faith,'' replied young Goodman Brown, ``of all nights in the year, this one night must I tarry away from thee. My journey, as thou callest it, forth and back again, must needs be done 'twixt now and sunrise. What, my sweet, pretty wife, dost thou doubt me already, and we but three months married?''

   ``Then God bless you!'' said Faith, with the pink ribbons; ``and may you find all well when you come back.''

   ``Amen!'' cried Goodman Brown. ``Say thy prayers, dear Faith, and go to bed at dusk, and no harm will come to thee.''

   So they parted; and the young man pursued his way until, being about to turn the corner by the meeting-house, he looked back and saw the head of Faith still peeping after him with a melancholy air, in spite of her pink ribbons.

   ``Poor little Faith!'' thought he, for his heart smote him. ``What a wretch am I to leave her on such an errand! She talks of dreams, too. Methought as she spoke there was trouble in her face, as if a dream had warned her what work is to be done tonight. But no, no; 't would kill her to think it. Well, she's a blessed angel on earth; and after this one night I'll cling to her skirts and follow her to heaven.''

   With this excellent resolve for the future, Goodman Brown felt himself justified in making more haste on his present evil purpose. He had taken a


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The Guest  

موضوع: English Literature پنجشنبه بیست و ششم اردیبهشت 1387

    The Guest

    by Albert Camus. Translated by Justin O'Brien.

1

    The schoolmaster was watching the two men climb toward him. One was on horseback, the other on foot. They had not yet tackled the abrupt rise leading to the schoolhouse built on the hillside. They were toiling onward, making slow progress in the snow, among the stones, on the vast expanse oft he high, deserted plateau. From time to time the horse stumbled. Without hearing anything yet, he could see the breath issuing from the horses nostrils. One of the men, at least, knew the region. They were following the trail although it had disappeared days ago under a layer of dirty white snow. The schoolmaster calculated that it would take them half an hour to get onto the hill. It was cold; he went back into the school to get a sweater.

2

    He crossed the empty, frigid classroom. On the blackboard the four rivers of France, 1 drawn with four different colored chalks, had been flowing toward their estuaries for the past three days. Snow had suddenly fallen in mid-October after eight months of drought without the transition of rain, and the twenty pupils, more or less, who lived in the villages scattered over the plateau had stopped coming. With fair weather they would return. Daru now heated only the single room that was lodging, adjoining the classroom and giving also onto the plateau to the east. Like the class cows, his window looked to the south too. On that side the school was a few kilometers from the point where the plateau began to slope toward the south. In clear weather could be seen the purple mass of the mountain range where the gap opened onto the desert.


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The Scarlet Letter 

موضوع: English Literature چهارشنبه بیست و پنجم اردیبهشت 1387

The Scarlet Letter

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A Municipal Report by: O. Henry 

موضوع: English Literature شنبه بیست و یکم اردیبهشت 1387

A Municipal Report

Fancy a novel about Chicago or Buffalo, let us say, or Nashville, Tennessee! There are just three big cities in the United States that are "story cities" - New York, of course, New Orleans, and, best of the lot, San Francisco.

FRANK NORRIS.

East is East, and West is San Francisco, according to Californians. Californians are a race of people; they are not merely inhabitants of a State. They are the Southerners of the West. Now, Chicagoans are no less loyal to their city; but when you ask them why, they stammer and speak of lake fish and the new Odd Fellows Building. But Californians go into detail.

Of course they have, in the climate, an argument that is good for half an hour while you are thinking of your coal bills and heavy underwear. But as soon as they come to mistake your silence for conviction, madness comes upon them, and they picture the city of the Golden Gate as the Bagdad of the New World. So far, as a matter of opinion, no refutation is necessary. But, dear cousins all (from Adam and Eve descended), it is a rash one who will lay his finger on the map and say: "In this town there can be no romance - what could happen here?" Yes, it is a bold and a rash deed to challenge in one sentence history, romance, and Rand and McNally.

NASHVILLE - A city, port of delivery, and the capital of the State of Tennessee, is on the Cumberland River and on the N. C. & St. L. and the L. & N. railroads. This city is regarded as the most important educational centre in the South.

I stepped off the train at 8 P.M. Having searched the thesaurus in vain for adjectives, I must, as a substitution, hie me to comparison in the form of a recipe.

Take a London fog 30 parts; malaria 10 parts; gas leaks 20 parts; dewdrops gathered in a brick yard at sunrise, 25 parts; odor of honeysuckle 15 parts. Mix.

The mixture will give you an approximate conception of a Nashville drizzle. It is not so fragrant as a moth-ball nor as thick as pea-soup; but 'tis enough - 'twill serve.

I went to a hotel in a tumbril. It required strong self-suppression for me to keep from climbing to the top of it and giving an imitation of Sidney Carton. The vehicle was drawn by beasts of a bygone era and driven by something dark and emancipated.


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Two Little Soldiers 

موضوع: English Literature یکشنبه پانزدهم اردیبهشت 1387

Two Little Soldiers

by Guy de Maupassant (1850-1893)

Every Sunday, as soon as they were free, the little soldiers would go for a walk. They turned to the right on leaving the barracks, crossed Courbevoie with rapid strides, as though on a forced march; then, as the houses grew scarcer, they slowed down and followed the dusty road which leads to Bezons.

They were small and thin, lost in their ill-fitting capes, too large and too long, whose sleeves covered their hands; their ample red trousers fell in folds around their ankles. Under the high, stiff
shako one could just barely perceive two thin, hollow-cheeked Breton faces, with their calm, naive blue eyes. They never spoke during their journey, going straight before them, the same idea in each one's mind taking the place of conversation. For at the entrance of the little forest of Champioux they had found a spot which reminded them of home, and they did not feel happy anywhere else.

At the crossing of the Colombes and Chatou roads, when they arrived under the trees, they would take off their heavy, oppressive headgear and wipe their foreheads.

They always stopped for a while on the bridge at Bezons, and looked at the Seine. They stood there several minutes, bending over the railing, watching the white sails, which perhaps reminded them of their home, and of the fishing smacks leaving for the open.

As soon as they had crossed the Seine, they would purchase provisions at the delicatessen, the baker's, and the wine merchant's. A piece of bologna, four cents' worth of bread, and a quart of wine, made up the luncheon which they carried away, wrapped up in their handkerchiefs. But as soon as they were out of the village their gait would slacken and they would begin to talk.

Before them was a plain with a few clumps of trees, which led to the woods, a little forest which seemed to remind them of that other forest at Kermarivan. The wheat and oat fields bordered on the narrow path, and Jean Kerderen said each time to Luc Le Ganidec:

"It's just like home, just like Plounivon."

"Yes, it's just like home."

And they went on, side by side, their minds full of dim memories of home. They saw the fields, the hedges, the forests, and beaches.

Each time they stopped near a large stone on the edge of the private estate, because it reminded them of the dolmen of Locneuven.

As soon as they reached the first clump of trees, Luc Le Ganidec would cut off a small stick, and, whittling it slowly, would walk on, thinking of the folks at home.

Jean Kerderen carried the provisions.


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....Analysis of The Hunger Artist by Kafka 

موضوع: English Literature چهارشنبه یازدهم اردیبهشت 1387

  A Hunger Artist

 

In the last decades interest in hunger artists has declined considerably.  Whereas in earlier days there was good money to be earned putting on major productions of this sort under one’s own management, nowadays that is totally impossible.  Those were different times.  Back then the hunger artist captured the attention of the entire city. From day to day while the fasting lasted, participation increased.  Everyone wanted to see the hunger artist at least daily.  During the final days there were people with subscription tickets who sat all day in front of the small barred cage.  And there were even viewing hours at night, their impact heightened by torchlight.  On fine days the cage was dragged out into the open air, and then the hunger artist was put on display particularly for the children.  While for grown-ups the hunger artist was often merely a joke, something they participated in because it was fashionable, the children looked on amazed, their mouths open, holding each other’s hands for safety, as he sat there on scattered straw—spurning a chair—in a black tights, looking pale, with his ribs sticking out prominently, sometimes nodding politely, answering questions with a forced smile, even sticking his arm out through the bars to let people feel how emaciated he was, but then completely sinking back into himself, so that he paid no attention to anything, not even to what was so important to him, the striking of the clock, which was the single furnishing in the cage, merely looking out in front of him with his eyes almost shut and now and then sipping from a tiny glass of water to moisten his lips.

Apart from the changing groups of spectators there were also constant observers chosen by the public—strangely enough they were usually butchers—who, always three at a time, were given the task of observing the hunger artist day and night, so that he didn’t get something to eat in some secret manner.  It was, however, merely a formality, introduced to reassure the masses, for those who understood knew well enough that during the period of fasting the hunger artist would never, under any circumstances, have eaten the slightest thing, not even if compelled by force.  The honour of his art forbade it.  Naturally, none of the watchers understood that.  Sometimes there were nightly groups of watchers who carried out their vigil very laxly, deliberately sitting together in a distant corner and putting all their attention into playing cards there, clearly intending to allow the hunger artist a small refreshment, which, according to their way of thinking, he could get from some secret supplies.  Nothing was more excruciating to the hunger artist than such watchers.  They depressed him.  They made his fasting terribly difficult.  Sometimes he overcame his weakness and sang during the time they were observing, for as long as he could keep it up, to show people how unjust their suspicions about him were.  But that was little help.  For then they just wondered among themselves about his skill at being able to eat even while singing.  He much preferred the observers who sat down right against the bars and, not satisfied with the dim backlighting of the room, illuminated him with electric flashlights.  The glaring light didn’t bother him in the slightest.  Generally he couldn’t sleep at all, and he could always doze under any lighting and at any hour, even in an overcrowded, noisy auditorium.  With such observers, he was very happily prepared to spend the entire night without sleeping.  He was very pleased to joke with them, to recount stories from his nomadic life and then, in turn, to listen their stories—doing everything just to keep them awake, so that he could keep showing them once again that he had nothing to eat in his cage and that he was fasting as none of them could.  


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The Lottery  

موضوع: English Literature سه شنبه سوم اردیبهشت 1387

The Lottery
 
The morning of June 27th was clear and sunny, with the fresh warmth of a full-summer day; the flowers were blossoming profusely and the grass was richly green. The people of the village began to gather in the square, between the post office and the bank, around ten o'clock; in some towns there were so many people that the lottery took two days and had to be started on June 2th. but in this village, where there were only about three hundred people, the whole lottery took less than two hours, so it could begin at ten o'clock in the morning and still be through in time to allow the villagers to get home for noon dinner.

The children assembled first, of course. School was recently over for the summer, and the feeling of liberty sat uneasily on most of them; they tended to gather together quietly for a while before they broke into boisterous play. and their talk was still of the classroom and the teacher, of books and reprimands. Bobby Martin had already stuffed his pockets full of stones, and the other boys soon followed his example, selecting the smoothest and roundest stones; Bobby and Harry Jones and Dickie Delacroix-- the villagers pronounced this name "Dellacroy"--eventually made a great pile of stones in one corner of the square and guarded it against the raids of the other boys. The girls stood aside, talking among themselves, looking over their shoulders at the boys. and the very small children rolled in the dust or clung to the hands of their older brothers or sisters.

Soon the men began to gather. surveying their own children, speaking of planting and rain, tractors and taxes. They stood together, away from the pile of stones in the corner, and their jokes were quiet and they smiled rather than laughed. The women, wearing faded house dresses and sweaters, came shortly after their menfolk. They greeted one another and exchanged bits of gossip as they went to join their husbands. Soon the women, standing by their husbands, began to call to their children, and the children came reluctantly, having to be called four or five times. Bobby Martin ducked under his mother's grasping hand and ran, laughing, back to the pile of stones. His father spoke up sharply, and Bobby came quickly and took his place between his father and his oldest brother.


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Hills Like White Elephants به همراه ترجمه فارسی 

موضوع: English Literature جمعه بیست و سوم فروردین 1387

Hills Like White Elephants

By Ernest Hemingway


The hills across the valley of the Ebro were long and white. On this siode there was no shade and no trees and the station was between two lines of rails in the sun. Close against the side of the station there was the warm shadow of the building and a curtain, made of strings of bamboo beads, hung across the open door into the bar, to keep out flies. The American and the girl with him sat at a table in the shade, outside the building. It was very hot and the express from Barcelona would come in forty minutes. It stopped at this junction for two minutes and went to Madrid.
'What should we drink?' the girl asked. She had taken off her hat and put it on the table.

'It's pretty hot,' the man said.

'Let's drink beer.'

'Dos cervezas,' the man said into the curtain.

'Big ones?' a woman asked from the doorway.

'Yes. Two big ones.'

The woman brought two glasses of beer and two felt pads. She put the felt pads and the beer glass on the table and looked at the man and the girl. The girl was looking off at the line of hills. They were white in the sun and the country was brown and dry.

'They look like white elephants,' she said.

'I've never seen one,' the man drank his beer.

'No, you wouldn't have.'

'I might have,' the man said. 'Just because you say I wouldn't have doesn't prove anything.'

The girl looked at the bead curtain. 'They've painted something on it,' she said. 'What does it say?'

'Anis del Toro. It's a drink.'


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THAT EVENING SUN GO DOWN 

موضوع: English Literature پنجشنبه هشتم فروردین 1387

THAT EVENING SUN GO DOWN

William Faulkner

Monday is no different from any other week day in Jefferson now. The streets are paved now, and the telephone and the electric companies are cutting down more and more of the shade trees - the water oaks, the maples and locusts and elms - to make room for iron poles bearing clusters of bloated and ghostly and bloodless grapes, and we have a city laundry which makes the rounds on Monday morning, gathering the bundles of clothes into bright-colored, specially made motor-cars: the soiled wearing of a whole week now flees apparition-like behind alert and irritable electric horns, with a long diminishing noise of rubber and asphalt like a tearing of silk, and even the Negro women who still take in white peoples' washing after the old custom, fetch and deliver it in automobiles.

But fifteen years ago, on Monday morning the quiet, dusty, shady streets would be full of Negro women with, balanced on their steady turbaned heads, bundles of clothes tied up in sheets, almost as large as cotton bales, carried so without touch of hand between the kitchen door of the white house and the blackened wash-pot beside a cabin door in Negro Hollow.

Nancy would set her bundle on the top of her head, then upon the bundle in turn she would set the black straw sailor hat which she wore winter and summer. She was tall, with a high, sad face sunken a little where her teeth were missing. Sometimes we would go a part of the way down the lane and across the pasture with her, to watch the balanced bundle and the hat that never bobbed nor wavered, even when she walked down into the ditch and climbed out again and stooped through the fence. She would go down on her hands and knees and crawl through the gap, her head rigid, up-tilted, the bundle steady as a rock or a balloon, and rise to her feet and go on.

Sometimes the husbands of the washing women would fetch and deliver the clothes, but Jubah never did that for Nancy, even before father told him to stay away from our house, even when Dilsey was sick and Nancy would come to cook for us.


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I'M A FOOL by Sherwood Anderson 

موضوع: English Literature چهارشنبه پانزدهم اسفند 1386

I'M A FOOL

by Sherwood Anderson

 

It was a hard jolt for me, one of the most bitterest I ever had to face. And it all came about through my own foolishness too . Even yet sometimes, when I think of it, I want to cry or swear or kick myself Perhaps, even now, after all this time, there will be a kind of satisfaction in making myself look cheap by telling of it.

 

It began at three o'clock one October afternoon as I sat in the grandstand at the fall trotting and pacing meet at Sandusky, Ohio.

 

To tell the truth, I felt a little foolish that I should be sitting in the grandstand at all. During the summer before I had left my home town with Harry Whitehead and, with a nigger named Burt, had taken a job as swipe with one of the two horses Harry was campaigning through the fall race meets that year. Mother cried and my sister Mildred, who wanted to get a job as a school teacher in our town that fall, stormed and scolded about the house all during the week before I left. They both thought it something disgraceful that one of our family should take a place as a swipe with race horses. I've an idea Mildred thought my taking the place would stand in the way of her getting the job she'd been working so long for.

 

But after all I had to work, and there was no other work to be got. A big lumbering fellow of nineteen couldn't just hang around the house and I had got too big to mow people's lawns and sell newspapers. Little chaps who could get next to people's sympa

 

2

 

thies by their sizes were always getting jobs away from me. There was one fellow who kept saying to everyone who wanted a lawn mowed or a cistern cleaned, that he was saving money to work his way through college, and I used to lay awake nights thinking up ways to injure him without being found out. I kept thinking of wagons running over him and bricks falling on his head as he walked along the street. But never mind him.

 

I got the place with Harry and I liked Burt fine. We got along splendid together. He was a big nigger with a lazy sprawling body and soft, kind eyes, and when it came to a fight he could hit like Jack Johnson. He had Bucephalus, a big black pacing stallion that could do 2.09 or 2. 10, if he had to, and I had a little gelding named Doctor Fritz that never lost a race all fall when Harry wanted him to win.

 


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The Most Dangerous Game 

موضوع: English Literature چهارشنبه یکم اسفند 1386

The Most Dangerous Game

"OFF THERE to the right--somewhere--is a large island," said Whitney." It's rather a mystery--"

"What island is it?" Rainsford asked.

"The old charts call it `Ship-Trap Island,"' Whitney replied." A suggestive name, isn't it? Sailors have a curious dread of the place. I don't know why. Some superstition--"

"Can't see it," remarked Rainsford, trying to peer through the dank tropical night that was palpable as it pressed its thick warm blackness in upon the yacht.

"You've good eyes," said Whitney, with a laugh," and I've seen you pick off a moose moving in the brown fall bush at four hundred yards, but even you can't see four miles or so through a moonless Caribbean night."

"Nor four yards," admitted Rainsford. "Ugh! It's like moist black velvet."

"It will be light enough in Rio," promised Whitney. "We should make it in a few days. I hope the jaguar guns have come from Purdey's. We should have some good hunting up the Amazon. Great sport, hunting."

"The best sport in the world," agreed Rainsford.

"For the hunter," amended Whitney. "Not for the jaguar."

"Don't talk rot, Whitney," said Rainsford. "You're a big-game hunter, not a philosopher. Who cares how a jaguar feels?"

"Perhaps the jaguar does," observed Whitney.

"Bah! They've no understanding."

"Even so, I rather think they understand one thing--fear. The fear of pain and the fear of death."


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